Accelerate your jazz learning curve patterns for jazz pdf combining 3 secret elements that the pros don’t want you to know! How to ensure that no matter what voicings and blues licks you play, they’ll turn heads each and every time! The 7 secrets to playing signature solos like a pro from a pro!
And much more revealed in the report and video lesson clips below! Most musicians fail to reach professional “guru” status because they place themselves in a musical box. You see, they think just because they play one particular style of music, that they should only learn chords, patterns, and tricks from that same genre. Simply put, if they’re gospel musicians, they tend to buy only gospel courses. If they’re country musicians, they generally seek out country-related material. I’m not saying this is wrong.
I’m just saying that it’s limiting. It’s like a basketball player refusing to train outside the gym because of a misconception that only track stars “run the bleachers. Personally, I think music is the same way. Good musicians pick a genre, learn everything about that one genre, and ultimately sound good in their “comfort” settings. If you only want to be good, take my advice above and you’ll do “good” in certain environments. They have specialized knowledge of a variety of genres and can “activate” any of these playing modes in an instant.
They are unpredictable in that their playing incorporates various styles regardless of what primary genre they’re operating in. Basically, they never run out of things to play. They’re not afraid to explore musical elements outside their comfort zone. Their musical growth never reaches a final destination but is a continuous journey. I’m guilty as a teacher of sticking with “one” primary genre. For over 7 years, we’ve taught primarily gospel music by ear.
Yes, you can pick up our 300-pg home study course and find general music theory, ear-training, and various progressions from other genres, but our main focus up until now has been on gospel music. I simply called it “drilling deep” or focusing only on one type of player. It was the classic “don’t try to please everyone” and “stick with what you know best” philosophy. Not only do you increase your creativity by pulling chords, patterns, licks, and tricks from other places, but you break yourself away from being limited to one style of playing. That’s why so many musicians get stuck trying to figure out why they’re playing the same stuff they were playing years ago or worse, have gone several steps in the wrong direction due to lost interest — because they’ve realized that most songs in a particular genre follow certain patterns and once you knows them all, it gets extremely difficult to learn new patterns unless you step outside the “genre.
Since you’re reading this page, it’s clear to me that you’re interested in exploring jazz and how to play it by ear. And if you’re like me, you’ll agree that jazz is one of the most popular genres in the world today. In many instances, it’s like the “default” style of music you end up listening to whether in an elevator, waiting in a doctor’s office, as hold music on the phone, in the background at a fancy restaurant even at church these days as many pastors are holding gospel jazz brunches and concerts. Heck, it’s commonly used as an adjective to describe certain ways to play other genres. You’ve probably heard musicians say “jazz that up a little” or “play that a little jazzier. That’s why I’m finally answering the thousands of musicians who have literally begged us to teach the basics of jazz by ear — and this page reveals everything you need to know to start playing jazz now.
Who wants to be stuck playing the same chords and songs over and over again? I’m sure nobody if they can help it. No one wants to be labeled by others as “one-dimensional”. And to be honest, knowing only one style of music is pretty boring.