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Occasionally, sample pages in PDF format are included that you can print out to see what you will be getting. Please keep in mind that you are listening to what is essentially a midi file, and therefore the actual sound is determined by your sound card, midi module etc. Adagio from Concerto a Cinque, Op. Concerto for Two Violins in d minor, I. Concerto for Two Violins in d minor, II. Concerto for Two Violins in d minor, III.
Wachet auf, ruft uns die Stimme”, from Cantata No. Adagio from Oboe Concerto in d minor by A. Alessandro Marcello’s Oboe concerto in d-minor is the basis for this arrangement. Adaptation of the Chorale Prelude No. For string quartet, trumpet and organ.
Obviously not arrangements, but useful to have as a single movements, since they get requested often, especially funerals. Recorded by Bocelli, Charlotte Church and others, my favorite version is Inessa Galante’s, who started it all. Composed in Spillville, Iowa, in the summer of 1893, arguably one of the most famous and well known string quartets. Often requested for funerals, cellists will be interested in having an edition that doesn’t require mental acrobatics transposing the treble clef an octave down.
Composed in 1888, originally written for violin and piano, when Elgar was engaged to be married to Caroline Alice Roberts. It became an engagement present to his fiancee. First movement of this beautiful piece, usually associated with the late great violinist Philippe Hirshhorn. In the key of F, singers seem to like it there. We have it in other keys as well, if you need to.
The original tempo indication is actually “Larghetto”. The Seven Last Words of our Saviour on the Cross, Op. Baerenreiter Urtext score of the original orchestral version. The texture is considerably lighter as compared to Bach’s transcription. Mozart was apparently quite obsessed with canons.
Originally for four voices, dating from around 1788, it uses only the first two words of the sacred text in a 24-bar theme. Constanze, who was pregnant with their sixth child and staying in a spa near Baden, outside Vienna. It was less than six months before his death. The manuscript itself contains minimal directions, with only a single sotto voce at the beginning. Adapted for soprano and string quartet with the soprano also covering the choir section.